Daniel Bernard Roumain
Mitchell Center Artist in Residence, Daniel Bernard Roumain (DBR) continues to work with the UH Cougar Marching Band in a residency that spans two years and included En Masse, a large scale outdoor performance in downtown Houston in April 20013.
En Masse includes En Masse Studies in Etudes, a new composition by DBR commissioned by the Mitchell Center, and was directed by former Mitchell Center Artist in Residence and famed multi-disciplinary artist Marc Bamuthi Joseph.
Daniel Roumain’s acclaimed work as a composer and a performer has spanned more than two decades, and has been commissioned by venerable artists and institutions worldwide. Proving that he’s “about as omnivorous as a contemporary artist gets” (New York Times), Roumain is perhaps the only composer whose collaborations span the worlds of Philip Glass, Cassandra Wilson, Bill T. Jones, Savion Glover and Lady Gaga.
Roumain made his Carnegie Hall debut in 2000 with the American Composers Orchestra performing his Harlem Essay for Orchestra, a Whitaker commission. He would go on to compose works for the Albany Symphony (Harvest for Baritone Voice and Orchestra); the American Composers Orchestra (Call Them All: Fantasy Projections for laptop, orchestra, and film); the Boston Pops Orchestra (Woodbox Violin Concerto); the Dogs of Desire Ensemble (Grace for Two Sopranos and Chamber Orchestra); Carnegie Hall (Five Chairs and One Table); the Library of Congress (Numerical Music); and the Stuttgart Symphony (We March!: Concerto for Guitar and String Orchestra premiered by Eliot Fisk). Additionally, DBR’s music has been performed by the Brooklyn Philharmonic, Cincinnati Symphony, Des Moines Symphony, Detroit Symphony, Memphis Symphony, New World Symphony, New Jersey Symphony, Noord Nederlands Orkest, and the Vancouver Symphony, among many others. His most recent orchestral work, Dancers, Dreamers, and Presidents, is a 2010 Sphinx Commissioning prize and will be performed by the Detroit Symphony, Nashville Symphony, Philadelphia Orchestra, Rochester Philharmonic, Virginia Symphony, and other member orchestras of an esteemed consortia.
Roumain was the first artist to be awarded Arizona State University’s prestigious Gammage Residency, “a three-year commitment to an extraordinary performing artist that includes performance, creative time and resources, intensive training for ASU students and local artists and engagement with many of the local communities.” His outreach and residencies have garnered extravagant praise and long-term relationships with countless universities, orchestras, and performing arts centers including the Berklee School of Music (Boston), More Music @Moore (Seattle), The Academy – a program of Carnegie Hall, The Juilliard School and the Weill Music Institute, PACE University and the Tribeca Performing Arts Center (New York City), the University of North Carolina (Raleigh) and Vanderbilt University (Nashville). He served as Chair of the Music Composition/Theory Department and Composer-in-Residence at The Harlem School of the Arts.
Recent work includes a third commission for the Brooklyn Academy of Music (Symphony for the Dance Floor), and a new work for the Atlanta Ballet (Home in 7) in collaboration with the choreographer Amy Seiwert and the poet Marc Bamuthi Joseph. Roumain has recently performed at The Macau International Music Festival, Ten Days in Tasmania, Central Park SummerStage, 2010 Vancouver Winter Olympics and the Sydney Opera House.
Roumain earned his doctorate in Music Composition from the University of Michigan under the tutelage of William Bolcom and Michael Daugherty.