a blog to showcase our network and share what inspires us
Applications are currently being accepted for the positions of Editor and Managing Editor.
Founded in 1986, Gulf Coast is here to give UH graduate and undergraduate students the experience of editing a nationally distributed literary journal. The Editor and Managing Editor will be hired for a minimum of two years (four issues), and they will be entitled to their normal teaching fellowship, summer salary, as well as stipends at the end of each academic year. The year-round positions will begin at the close of the spring semester. Training will be provided.
If you are interested in the position, please contact Ian Stansel in the Gulf Coast office or via email at firstname.lastname@example.org to request more information. All Creative Writing Program students are invited to apply.
Applicants must submit a cover letter and c.v./résumé via email to Ian no later than Monday, March 5, 2010 at 5:00 p.m. Applicants will be interviewed by the Board of Directors on Saturday, March 10. Application materials will be treated as confidential. Please be sure to provide contact information.
Follow the Dionysia 2012 Blog and view the Video-Diary of Dionysia, above.
Glasstire reports that Diem Jones will begin as the Director of Grants at the Houston Arts Alliance on February 13.
A poet, musician, producer and spoken word artist (aka Drs. H.M. Joy & Fladimir MS Woo) art director, photographer, and teacher, he comes to Houston from an 8 year stint at Arts Council Silicon Valley, where he supervised their Artsopolis program and managed the agency’s grants, arts education and marketing.
The Houston Chronicle reminds us of some of Houston’s current and upcoming notable urban locations.
Mike Kelley, among the most important international artists to have emerged since the 1980s and whose physically messy and psychologically complex projects laid the groundwork for present-day installation art, has died. He was 57.
Kelley is survived by his older brother George Kelley, who lives near Houston.
The Core Program awards postgraduate residencies to highly motivated, emerging visual artists and critical writers who have not yet fully developed their practices and share a commitment to critical dialogue.
About the program
Established in 1982 within the Glassell School of Art of the Museum of Fine Arts, Houston, the Core artist residencies encourage intensive and innovative studio practice as well as the elaboration of an intellectual framework to understand that practice. In 1998, the Core critical studies residencies were established to provide an opportunity for writers to pursue independent curatorial and writing projects and to promote the discourse necessary for both artists and critics to sustain their practices. Throughout the year, residents engage in ongoing dialogue with each other and with pre-eminent artists, critics, curators, and art historians invited to conduct seminars, lecture, and meet with residents individually.
Each resident receives a stipend, health insurance, and private studio/office space. The residency term is nine months, from September to May. Residents may apply for a second term.
How to apply
For application instructions, please visit mfah.org/fellowships/core-how-
A new piece of public art by Carlos Cruz-Diez goes up at University of Houston, main campus.
Thursday, February 16
Associate Professor of Anthropology and Art History
Binghamton University, State University of New York
This lecture will consider the ways in which John and Dominique de Menil’s practices of collecting diverge from conventional analyses of collectors.
LOCATION: University of Houston, Fine Arts room 110
NATURAL ACTS/ ARTIFICIAL WATER
Calling adventurous dancers who are technically trained in contemporary movement, skilled in various improvisation practices, partnering and have experience in developing process based work for alternative spaces…
Wed, Jan. 25, 6-10 pm
Barnevelder Movement Arts Complex, 2201 Preston St.
The commitment includes:
Rehearsal Residencies:Thu-Mon, March 8-12 & Sat – Fri, May 12-18
Performances: May 19 & 20
Please RSVP to sixto@diverseworks with a CV and bring a hard copy to audition.
Thursday, January 26, 2012 | 6:30 – 7:30PM
Join us for a gallery walk-through of The Deconstructive Impulse with Dr. Jenni Sorkin, Assistant Professor of Contemporary Art and Critical Studies, University of Houston. Dr. Sorkin’s work examines the confluence of gender and material culture within modern and contemporary art history, theory, and criticism. Her writing has appeared in the New Art Examiner, Art Journal, Frieze, Modern Painters, among others. In 2010, she co-organized Blind Spots/Puntos Ciegos: Feminisms, Cinema, and Performance for the eight edition of SITAC, the International Symposium of Contemporary Art Theory, held in Mexico City. She has been awarded fellowships from the ACLS/Luce Foundation and the Getty Research Institute in Los Angeles, and is the recipient of the 2004 Art Journal Award given by the College Art Association. She is currently completing a book manuscript entitled Live Form: Craft as Participation, which examines the legacy of Black Mountain College, craft pedagogy, and the history of ceramics from 1952 to 1975.
Glasstire reports powerhouse curator Regine Basha has been appointed Executive Director of Artpace in San Antonio, beginning March 1. From 2002-2007, Basha was Adjunct Curator at Arthouse in Austin, where she oversaw the first Arthouse Texas Prize, and co-founded fluent collaborative. Some Texas Exhibitions she’s curated include the upcoming Pfieffer at The Blanton in Austin (Fall 2012); Seedlings at The Dallas Contemporary (2010); The Marfa Sessions, Ballroom Marfa (2009); The Activist Impulse, Women & Their Work (2008); Julieta Aranda at Sala Diaz (2008). If that’s not enough, she’s a graduate of NYU and Bard, and is fluent in Spanish, French, Italian, and Hebrew. Says Basha, “I look forward to working with such a dynamic organization as it evolves and continues to challenge the role of contemporary art while fostering creative careers and giving access to the public.”