IART professor Nick Flynn will be discussing his new book, THE REENACTMENTS—a memoir about glass flowers, memory, and the making of a movie—with David Eagleman at the Museum of Fine Arts, Houston on Sunday, January 13 at 2pm.
FREE WITH MUSEUM ADMISSION
A reception and book signing in the museum galleries follow this program.
Nick Flynn and David Eagleman, two noted authors with Houston connections, come together on the occasion of Flynn’s latest book, The Reenactments: A Memoir, the story of Flynn adapting his 2004 memoir into the film Being Flynn. In the new memoir, Flynn reflects on his experience of being on the set during filming of two central events in his life: his mother’s suicide and his father’s long run of homelessness. In a lively conversation punctuated by film clips and visual references, neuroscientist Eagleman engages his friend in reflections about the intersections of life and art.
Congratulations to UH faculty member Toni Leago Valle, the new general manager of Karen Stokes Dance (KSD). Valle brings 12 years of professional experience on and off the stage to KSD. As project director of Dance Source Houston for 11 years, Valle oversaw A Weekend of Texas Contemporary Dance at Miller Outdoor Theatre, the Dance Card, the Dance Source website and the Dance Table.
For its latest production, arts group Voices Breaking Boundaries (VBB) is hoping to shed light on Freedmen’s Town — one of the most historically dynamic (and most historically overlooked) neighborhoods in Houston.
Read the entire article on CultureMap here.
The chancellor and president of the University of Houston has had a very good year.
Read the interview in Texas Monthly this month by Jake Silverstein.
Engaging local musicians and poets to perform and read to native plants, the immersive Mitchell Center booth installation at the Texas Contemporary Art Fair this past weekend played with the framework that positions both audience and performer in the context of contemporary art.
Houston Press ranked the Mitchell Center among the 15 best pieces of the Fair, see the full list here.
“Booth: Cynthia Woods Mitchell Center for the Performing Arts at University of Houston
While this “exhibit” was not technically one of the pieces on display at the Fair, it could and should have been included. A man sat in a chair, surrounded by green foliage — most likely an homage to The Woodlands, the home of the Cynthia Woods Mitchell Pavillion — and played off-tune notes, some long, and some short. All the while, he seemed to be quite enjoying himself. The message most likely being pushed out, through the scene, as a whole? “Check out the Cynthia Woods Mitchell Performing Arts Center at University of Houston”. Bravo, marketing whiz. Way to get the point across via art.”
RESONATE in 2012
This year, we’re excited to announce several new surprises. A new time of year, a new location, and new ideas to resonate with the world. We’ll explore the relationships between simplicity and complexity; we’ll search within and imagine without; and we’ll once again examine the full spectrum of diverse voices that resonate around us.
Resonance, at its fullest, can dramatically change reality. Fine glass sings at its resonant frequency and if the oscillations breach a threshold, resonance will shatter the vessel. This interplay between what makes us resonate and how we react, is a fascinating metaphor for the exchange of ideas especially in the multi cultural, diverse and exciting environment of our community – with so many different voices, all resonating through their cultural frequencies.
The dichotomies we will be exploring are a crucial part of the language of resonance. Every wave has two peaks which simultaneously oppose and define each other. The dynamic relationship between those two extremes and their merger and compromise, leads to movement, progress and change. The creative friction between opposites, even when they seem mutually exclusive, creates the energy required to move the system forward.
East and West, Foreground and Background, Complexity and Simplicity, Inward and Outward. All of these dualities are the essence of one underlying mechanism. This year, we have summed it up in the metaphor of Resonance.
Please help us determine how we can each contribute to the beautiful melody of our city. How can we resonate within ourselves, so that what we share resonates within others, and as one voice? Once again this year, our community will move forward towards progress and positive change. Will you join us?
Applications close Wednesday, October 10th. Click here to apply to attend TEDx Houston on November 3rd.
The biannual Artadia Awards gives visual artists cash rewards as well as the opportunity to work side by side with renowned curators. Houston awardees will travel to New York for a three-month residency at the International Studio and Curatorial Program in Brooklyn. In adddition, the Exhibitions Exchange program allows awardees to hold exhibitions in other states currently receiving Artadia awards. Participating cities include San Francisco, Atlanta, Chicago, Boston and Houston.
The winners of the Artadia Award are split into two categories; two artists will receive $15,000 and five artists receive $3,000. This year’s winners will exhibit at Texas Contemporary Art Fair.
The Artadia Award application deadline this year: September 24th.
Click here for the online application or visit www.artadia.org.
The 30-year old alternative arts organization announced Wednesday it is relocating to 4102 Fannin Street (at Cleburne), vacating the warehouse north of downtown that it has occupied for 20 years.
The move has been discussed for years but change accelerated across all aspects of the DiverseWorks organization this year with the arrival of director Elizabeth Dunbar. “We knew we needed to shake things up,” she said.
The new site, which housed Cleburne’s Cafeteria from 1941 to 1969 and more recently was used as a small manufacturing facility, is 5,500 square feet — is about half the size of DiverseWorks’ current location at 1117 East Freeway.
The new location opens to the public September 7.
Read the full press release here.
After six fantastic years at Aurora Picture Show, Delicia Harvey will be leaving Aurora Picture Show to join Carrithers Studio, a film and video production business.
During her tenure, the organization has grown in budget and staff size, expanded collaborations, improved and expanded educational programming which now serves over 1500 Houston youth a year with mobile media workshops and four weeks of summer camps, and undergone an intense strategic planning process.
We wish Delicia all the best, and congratulate her on this next adventure!
Read the full job description here.
The neighborhood surrounding the Brooklyn Academy of Music (BAM) buzzed last Tuesday as moderate-sized crowds mingled on Fulton Street in front of three newly unveiled public art installations. It was precisely the intended effect of BAMart:Public, an initiative to enliven underutilized public spaces with visual art (a fourth project is on view inside BAM’s Peter J. Sharp building). David Harper, the program’s curator, walked website Art Fag City’s Alana Chloe Esposito through the installations and explained the project’s genesis along the way. Read more about it here.
Thursday, June 28, 2012 | 7:30PM
Join CAMH for a free, live audio-visual performance by video design team Be Johnny that reworks and combines film material from the early history of cinema. Cinematic depictions of buildings, streets, and city life from early movie “realities” and “city symphony” films will be transformed into a dreamlike meditation on our designed environments. Be Johnny (Bree Edwards and Johnny DeKam) has created innovative moving images for music concerts, theater presentations, dance performances, and live cinema projects around the globe. This program is held in conjunction with Perspectives 178: CINEPLEX.
*Please note that seating is limited so early arrival is recommended (no late seating). Refreshments will be available inside the gallery.